Guitar lick samples


A drop of chorus. I did a small change with the melody line. Consisting of 10 total kits total of licks and riffs of live electric, acoustic and bass guitar played and recorded by our…. My solo on turnaround in Gm C7. The pack aims to give maximum flexibility to producers wanting to bring a big splash of all American authenticity to any genre. Soulful Guitar Licks Vol. This sample pack features jazz guitar chords, riffs and licks ready to load… Need funky, jazzy guitars to spice up that special track?
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Reverbed Guitar Lick

The opening motive is repeated up a minor 3 rd interval, before resolving down to the Fmaj7 chord at the end of the line. It's fair to say that rock styles tend to favour the keys of E, A, D and G, so start with these before eventually aiming for fluency in every key. Click to hear boogaloo joe jones licks 3. Here the minor 3rd bend between E and G is easily attainable as it is found under the third finger. Any phrase performed in one can be instantly transposed to the next. Image 24 of 51 This nifty move between a bent note and rapid pull-off requires both precision and stamina, so be patient when building it up to both the necessary speed and duration. Take time to consolidate your picking though - no slides or legato to hide behind here!
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Jazz Guitar Licks - Essential Lines and Patterns

His playing was melodic, yet full of energy, and he was able to play in solo, duo, combo, and large-ensembles with ease. Image 11 of 51 Unison bends sound great. This is a great way to bring color to your lines, without having to reach for more complex chord subs in your phrases. As well, the C melodic minor scale is used to create some tension over the Cm7 and F7 chords at the end of the line. You may find that alternate picking is the way to go for the final bar.
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Guitar lick samples



Description: No matter what genre he was playing in, one thing was certain; Grant would bring his best to each recording and jam session. You can start with 16th-notes four notes per click and aim to work your way up to 16th note triplets six notes per click. In this example, you can hear how the major third, B, is then replaced by the blues note Bb in bar 2. Digging into a minor ii V I Tal Farlow lick, you see some rhythmic ideas used to create interest in the second half of the line. As always, when attempting this sort of outside soloing line make sure to resolve it back to the underlying chord.

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Views: 1582 Date: 25.02.2015 Favorited: 5 favorites

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